Irene Kelly travels through parallel universes, repeatedly killing her daughter’s murderer. As she becomes consumed by vengeance, her humanity hangs in the balance.

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A troubled woman meets her father for the first time and their encounter goes from awkward to alarming when they witness a man swallow a little girl whole.

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Following a tragic event, the lives of 3 men converge in a quest for revenge and redemption.

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In New York City’s late nineties, a young aspiring writer lands a day-job at J.D. Salinger’s literary agency. While her eccentric and old-fashioned boss tasks her to process Salinger’s voluminous fan mail, she struggles to find her own voice.

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A high school social outcast is taken under the wing of a mysterious mentor, only to be groomed as the hive’s next queen.

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Eleven year old Willy’s childhood toy, Gooby, comes to life as a real, live, six-foot tall monster who helps Willy through rough times, with hair-raising and hilarious adventures.

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Kate attends her estranged sister’s bachelorette party at the request of their dying father. The weekend, held at a remote cabin booked on a home sharing app, turns into a savage life-or-death struggle that pits family against family, and past against present.

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A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.

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Given the opportunity to participate in a life or death reality game show, one man discovers there’s a lot to live for.

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Chase (Adam Langton) is a man who is losing his struggle to come to terms with the tragic loss of someone close to him. Time slips away as he barely exists, spending most of his days at his mind numbing job of editing adult movies. Circumstances lead him to meet a girl named Valentine (Gwenlyn Cumyn), who is definitely not your average call girl. Of course, she has a rather dark past and before he knows it, Chase in involved with not only Valentine but all the skeletons in her closet as well.

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Action buffs will have a fine time with the spray of bullets, shattering glass, and pyrotechnic explosions that makes up the bulk of Assault on Precinct 13. This high-concept thriller is mostly a brutal non-stop kill-fest, and is very happy with itself for being so efficient in both categories.

A decrepit police station on its last night before retirement – New Year’s Eve, no less – plays unexpected home to a gang of criminals who become snowbound in the basement lockup. Another mysterious gang of people who stealthily gather in the blizzard outside want one of the particularly nasty criminals (Laurence Fishburne) dead, and they’ll take the rest of the precinct down too, by golly. The odd lot of characters trapped inside include a burned-out sergeant (Ethan Hawke), a sexpot secretary, an even sexier police psychologist, and various other good guys and bad guys who variously go down in blazes of guts, glory, bullets, and fire. Hawke and Fishburne are opposite sides of the coin: the law, and the bathroom scale. Their need to partner in order to survive the guns outside is the movie’s moral conflict, and both actors chew on Precinct 13’s peeling walls and scuffed floors to drive the point home every chance they get in an industrial section of Detroit for the climactic showdown.

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Los Angeles is under attack by monsters. The mechs attempting to fight them off are better armed than their precursors, but so are the creatures.

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