

A young aspiring journalist must confront her fears of the unknown and choose between staying in her hometown or moving to New York City to pursue her dreams.

A young pig with an important job, and a new friend who changes everything. In a desolate future, one small town has survived because of a large windmill dam that acts as a fan to keep out pollution. The dam’s operator, Pig, works tirelessly to keep the sails spinning and protect the town, despite abuse from classmates and an indifferent public. When a new student joins Pig’s class, nothing will be the same again.

Would you choose your natural son, or the son you believed was yours after spending 6 years together? Kore-eda Hirokazu, the globally acclaimed director of “Nobody Knows”, “Still Walking” and “I Wish”, returns to the big screen with another family – a family thrown into torment after a phone call from the hospital where the son was born… Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Then one day, he and his wife, Midori, get an unexpected phone call from the hospital. Their 6-year-old son, Keita, is not ‘their’ son – the hospital gave them the wrong baby. Ryota is forced to make a life-changing decision, to choose between ‘nature’ and ‘nurture.’ Seeing Midori’s devotion to Keita even after learning his origin, and communicating with the rough yet caring family that has raised his natural son for the last six years, Ryota also starts to question himself: has he really been a ‘father’ all these years….

After lying to her new eccentric coworker Larry about a company party, an ambitious corporate flunky must deal with the unexpected consequences.

This book asks researchers what uncertainty means for literacy research, and for how literacy plays through uncertain lives. While the book is not focused only on COVID-19, it is significant that it was written in 2020-2021, when our authors’ and readers’ working and personal lives were thrown into disarray by stay-at-home orders. The book opens up new spaces for examining ways that literacy has come to matter in the world.

This indispensable guide will equip the reader with a thorough understanding of the field of foaming chemistry. Assuming only basic theoretical background knowledge, the book provides a straightforward introduction to the principles and properties of foams and foaming surfactants. It discusses the key ideas that underpin why foaming occurs, how it can be avoided and how different degrees of antifoaming can be achieved, and covers the latest test methods, including laboratory and industrial developed techniques. Detailing a variety of different kinds of foams, from wet detergents and food foams, to polymeric, material and metal foams, it connects theory to real-world applications and recent developments in foam research. Combining academic and industrial viewpoints, this book is the definitive stand-alone resource for researchers, students and industrialists working on foam technology, colloidal systems in the field of chemical engineering, fluid mechanics, physical chemistry, and applied physics.

How rhetorical training influenced deeds as well as words in the Roman Empire
The assassins of Julius Caesar cried out that they had killed a tyrant, and days later their colleagues in the Senate proposed rewards for this act of tyrannicide. The killers and their supporters spoke as if they were following a well-known script. They were. Their education was chiefly in rhetoric and as boys they would all have heard and given speeches on a ubiquitous set of themes―including one asserting that “he who kills a tyrant shall receive a reward from the city.” In That Tyrant, Persuasion, J. E. Lendon explores how rhetorical education in the Roman world influenced not only the words of literature but also momentous deeds: the killing of Julius Caesar, what civic buildings and monuments were built, what laws were made, and, ultimately, how the empire itself should be run.

Yuna, a woman engaged with her long time boyfriend, Nicco, starts to have second thoughts when she meets again her first love, Becca. Now she is torn between the man she loves and the woman she first loved.

In expressive, melodic tones, the fraternal pair debate God’s true message and intent for His creations, a conflict that leads their followers – in extravagantly choreographed song and dance – towards chaos and sin.

While inspecting an old British manor for its real estate potential, Chelsea discovers a portal through time that connects with the late 1700s owner of the property. When an accident occurs, the gentleman comes through and gets stuck in the present day.
















