Director Spike Lee’s drama was produced by the team behind Get Out and offers another provocative exploration of American race relations. In the midst of the 1970s civil rights movement, Ron Stallworth (John David Washington) becomes the first black detective on the Colorado Springs Police Department. He sets out to prove his worth by infiltrating the local chapter of the Ku Klux Klan and convinces his Jewish colleague (Adam Driver) to go undercover as a white supremacist.
On his deathbed, the reigning king bestows power to an unexpected heir who must find strength within himself to unite his people against the violent crusades which threaten their freedom.
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An elderly amusement park maintenance man, Eddie, is trapped in purgatory and the only way out is to confront five people from his past. Unfortunately, dark secrets from his service in the Philippines begin to haunt him.
After losing her young son, Edna Gladney opposes the unfair laws discriminating against children whose parents are unknown, and opens an orphanage for those children.
After David Kim (John Cho)’s 16-year-old daughter goes missing, a local investigation is opened and a detective is assigned to the case. But 37 hours later and without a single lead, David decides to search the one place no one has looked yet, where all secrets are kept today: his daughter’s laptop. In a hyper-modern thriller told via the technology devices we use every day to communicate, David must trace his daughter’s digital footprints before she disappears forever.
FBI Hostage Rescue Team leader and U.S. war veteran Will Sawyer now assesses security for skyscrapers. On assignment in Hong Kong he finds the tallest, safest building in the world suddenly ablaze and he’s been framed for it. A wanted man on the run, Will must find those responsible, clear his name and somehow rescue his family who are trapped inside the building – above the fire line.
When Ellen, the matriarch of the Graham family, passes away, her daughter’s family begins to unravel cryptic and increasingly terrifying secrets about their ancestry. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited. Making his feature debut, writer-director Ari Aster unleashes a nightmare vision of a domestic breakdown that exhibits the craft and precision of a nascent auteur, transforming a familial tragedy into something ominous and deeply disquieting, and pushing the horror movie into chilling new terrain with its shattering portrait of heritage gone to hell.
A century after the Wicked Witch, the Emerald City is at the mercy of a once-revered hero, and salvation comes from the wrench of young Victoria Wright. Rediscover old friends and meet new heroes in this new tale set in the Land of Oz.
Every straight girl needs a gay best friend, and interior designer Grace Adler found an ultimate accessory in her lawyer pal Will Truman. It’s through this neurotic pair that the show’s real stars — Jack & Karen – come together. “Just Jack” McFarland and his boozy, pill-popping sidekick Karen Walker fill in the foursome that made Will & Grace classic TV and brought primetime to a whole new level of fabulous, while also winning 16 Emmy Awards in the process.
Roy (David Gunning) is the nice guy who finishes last. Sick of his current situation, he accepts an invitation to have Christmas dinner with the beautiful and strangely alluring Emilia (Camille Montgomery). Once at dinner, Roy realizes that Emilia and her oddball brother Edward (Jon Paul Burkhart) are not what they seem.
Charmingly soft-spoken and yet powerfully incisive expressing his profound ideals, Fred Rogers was a unique presence on television for generations. Through interviews of his family and colleagues, the life of this would-be pastor is explored as a man who found a more important calling to provide an oasis for children in a video sea of violent bombardment. That proved to be his landmark series, Mister Rogers’ Neighborhood (1968), a show that could gently delve into important subjects no other children’s show would have dared for that time. In doing so, Rogers experienced a career where his sweet-tempered idealism charmed and influenced the world whether it be scores of children on TV or recalcitrant authorities in government. However, that beloved personality also hid Rogers’ deep self-doubts about himself and occasional misjudgments even as he proved a rock of understanding in times of tragedy for a world that did not always comprehend a man of such noble character.
