When a nerdy sorority girl falls in love with a zombie, it’s only a matter of time before a zombie apocalypse is unleashed on campus. The sorority girl discovers that weed is the cure–now she must smoke out the entire school before it’s too late.

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Rebellious teenager Kim Temple (Louisa Connolly-Burnham) has a strange affliction that makes her feel very insecure: stressful situations cause her to lose consciousness. And stress is bound to increase since her criminal father, whom she fears deeply, is about to be released from prison. Kim’s life takes an unexpected turn when she discovers her sleeping fits enable her to peek into the past. Trying desperately to keep her father locked up, she forces herself into ever more dangerous situations and emotional distress that lead to more revealing ‘sleeping fits’. Although she finds a friend to help her, time travel proves to be very perilous for Kim. Her health deteriorates to the point where her condition becomes life threatening. But with so much at stake, quitting is not an option.

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An anthology of horror shorts about death.

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A kindhearted seventeen-year-old in the American Southwest turns to prostitution to fulfill her dream of a new life in San Francisco.

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The hilarious slapstick antics of Larry, Moe, and Curly are back in digitally remastered versions of the original The Three Stooges. This collection contains the first 19 shorts spanning the years of 1934-1936 re-packaged into half-hour episodes with a splashy new opening, wrap-arounds, and witty, hip interstitials offering trivia and questions for some insightful tidbits on the comedy trio.

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After a failed suicide attempt, a young man coping with loss and depression, submits to a series of trials that fine-tune human emotions, but his unique reaction to the tests send him on a journey that transcends both physical and perceived reality.

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Meet Deputy Police Chief Brenda Leigh Johnson, the quirky, no-nonsense boss of the elite Priority Homicide Division of the Los Angeles Police Department, played to perfection by Golden Globe winner and Emmy nominee Kyra Sedgwick. Brought from Atlanta to head up this special unit that handles sensitive, high-profile murder cases, Brenda has world-class interrogation skills, often matching a criminal’s lie with one of her own in order to obtain a confession. Her offbeat attitude and hard-nosed approach can rub her colleagues the wrong way, as does the fact that she is a tough-minded Southern woman in a department dominated by men.

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A once-acclaimed New York playwright, NATE (Jemaine Clement), is struggling to finish his new play when his wife (Maria Dizzia) leaves him, taking their son. Desolate, broke and unable to pay the rent, Nate begrudgingly moves in with his widowed father, BOB (Elliott Gould), in his New Jersey retirement golf community. Bob, always quick with a joke, uses humor to deal with all of life’s challenges, even the death of his beloved wife. It drives Nate crazy. Thinking his son could benefit from some discipline, Bob sends Nate to work for ELLIS (Willie Carpenter) an older ex-Marine who runs operations at the community. While at work, Nate stumbles on a senior citizen theater troupe staging a musical. Nate agrees to help but quickly realizes it won’t be easy to get these quirky women to cooperate. And one of them, DEE (Annie Potts) even invites him to dinner to not-so-subtly set him up with her daughter, ALLISON (Ingrid Michaelson). Things reach a breaking point when a video of Nate’s …

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This controversial sitcom defined the late ’70s and was an instant classic! With its combination of implausible plots, exaggerated melodrama and a liberal dose of wackiness, this parody of TV soap operas was both popular and critically acclaimed, winning 4 Emmy Awards and 17 nominations.

Surprises and shenanigans abound between the families of two sisters, Jessica Tate and Mary Campbell, where each family member is either crazy, involved in an incriminating secret, or both. The unparalleled cast features Katherine Helmond (TV’s Who’s the Boss?), Richard Mulligan (TV’s Empty Nest), Robert Guillaume (TV’s Benson), Cathryn Damon (TV’s Webster), Robert Mandan (The Best Little Whorehouse in Texas), and Billy Crystal (When Harry Met Sally).

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GOOD OL’ BOY is the story of Smith, a ten-year-old boy from India growing up in Small Town, America in 1979. While the boy’s family straddles the fine line between embracing the American Dream and preserving their Indian heritage, there are barbecues, Halloween and hunting. And as Smith falls for Amy, the girl-next-door, he finds in Amy’s father Butch the cowboy he wishes his own father could be. But alas, when Smith’s father Bhaaskar sees Smith is quickly losing any hope of remaining a respectable Indian boy, he banishes him back to India. Nineteen years later Smith will return to America, back to a place he once called home.

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Director Al Pacino juxtaposes scenes from Richard III, scenes of rehearsals for Richard III, and sessions where parties involved discuss the play, the times that shaped the play, and the events that happened at the time the play is set. Interviews with mostly British actors are also included, attempting to explain why American actors have more problems performing Shakespearean plays than they do.

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Wang Duo Yu is a loser in life and a minor league football Goalkeeper. Unknown to him, he had a (recently deceased) rich Uncle. In order to test if Wang knows the value of money, he is given the task of disposing of 1 billion yuan in 30 days. Wang has to spent it legally and isn’t allowed to have any assets to show for it at the end of the task. If Wang is successful, he gets to inherit his Grand Uncle’s 30 billion yuan worth of assets. The biggest problem of all however, is that Wang is not allowed to tell anyone about the task, which create a lot of confusions to the people around him. He is also faced with the evil trustee company’s bosses who desperately need him to fail in order to control the management of this huge assets.

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