Every night a woman relives the most important night of her life while trapped in a house full of ghosts only she can see.

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A babysitter with a clever and violent ward. A patient who mistrusts the doctor’s orders. A young woman haunted by a malevolent presence. And the terror that ties them all together: BUGS. On their own, spiders, parasites, and bedbugs hold their own private horror for those who are beset by the quiet scuttles and slurps of inhuman creatures. But for Diane, Hannah, and Elena, three varied yet eerily similar women, these bugs represent the larger horrors of paranoia, helplessness, and abandonment. The Bugs Trilogy explores the inequality of the watcher and ward, relationships between mothers and their children, and the measures we are willing to take to protect ourselves from dangers we do not want to comprehend.

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Once Upon a Time in China is a Hong Kong film franchise directed, written, and produced by Tsui Hark. The stories are based on the life of Chinese folk hero Wong Fei-hung, who is portrayed by Jet Li in the first three films and Vincent Zhao in the fourth and fifth films.

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In a dystopian future London where all social housing has been eliminated, Izi and Benji fight to navigate the world as residents of The Kitchen, a community that refuses to abandon their home.

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A fictional account of the extraordinary story of two implacable enemies in Northern Ireland – firebrand Democratic Unionist Party leader Ian Paisley and Sinn Fein politician Martin McGuinness – who are forced to take a short journey together in which they will take the biggest leap of faith and change the course of history.

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Tired of cow-punching for a living, two Montana cowboys rob a bank and flee but their employer’s sons chase after them.

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On a school trip at the local museum, class troublemaker Scott Collins experiences a bizarre psychic connection with one of its artifacts – a skull. The creepy skull allows him to for-see his grandmother’s death. Of course, nobody believes him, passing it off as one of his usual tales. But after gran dies suddenly, his younger sister, Trish, for whom he shares a mutual contempt, is stunned to learn that her brother’s premonition was true. With both parents out of work and their house on the verge of foreclosure, Scott, still affected by the powers of the skull, convinces his family to accept employment as caretakers for a large Victorian house in the countryside. When they arrive they meet the owner, Trelawney, a seemingly normal man with one exception – he has the ability to speak to Scott telepathically. Scott soon discovers that the cursed skull holds the key to both of their futures.

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A Tango dancer and a rabbi develop a plan to enter a dance competition without sacrificing his orthodox beliefs. Family, tolerance, and community are tested one dazzling dance step at a time.

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A woman survives a traumatic night only to find herself in a nightmarish reality when she is unwillingly pulled into the plans of inter-dimensional beings.

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Ana is a bride to be that gets drunk after finding some secrets from her fiancée and ends up in a jungle. Daniela, has always been afraid to tell her best friend she has feelings for him, both their courage will be tested.

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Melinda is forced to take a break from classes in order to work and pay for her grandma’s (Becky) hospital bills. As Melinda is leaving the hospital one day, she is struck by a car in a hit and run, leaving her legs permanently paralyzed. With Becky’s health depleting fast, they learn of a surgery that could possibly save her life. Since Melinda is unable to work as much now with her paralysis, she must team up with her best friends Daniel and Jamie, along with Pastor David, to raise enough money for her grandma’s surgery. Melinda learns she must put her faith in Christ, even during the hard times. In the midst of all of this, Daniel works to reconnect with his formerly abusive father, John, who has turned his heart towards Christ.

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Playing a perhaps semi-fictionalized version of herself, director Gillian Horvat resolutely navigates an inspiring series of comical obstacles, skeptical intimates, and biased industry gatekeepers to get her first feature film off the ground. From a subjectively innocent initial concept that sings to fans of the ‘My Favorite Murder’ podcast-Gillian deftly executes the first in a series of impeccable transgressions with an unyielding allegiance to the Muse that resides within the heart of an unforgivable madness…a quality revered in cinema’s greatest auteurs. Co-opting the rules of a historically exclusive game, I BLAME SOCIETY is both an amusing and alternately disturbing meta-narrative exploring the dark side of artistic vision-articulating the oft-celebrated egregious qualities deemed to be intrinsic to cinematic brilliance.

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