Two women who grew up together discover they have drifted apart when they retreat to a lake house together.

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Starring Justin Duncan, Gerald Crum, Mercedes Peterson and John Charles Dickson. The Stars of two competing and colliding paranormal television shows converge on an abandoned haunted amusement park which ends up being the epicenter to hell. They are now all trapped – in an all out war against pure evil.

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A young single mother and textile worker agrees to help unionize her mill despite the problems and dangers involved.

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Faithful to the sexy, twisted 1974 cult classic by Joseph Larraz, Vampyres is an English-language remake pulsating with raw eroticism, wicked sado-masochism and bloody, creative gore. Victor Matellano (Wax (2014, Zarpazos! A Journey through Spanish Horror, 2013) directs this tale set in a stately English manor inhabited by two older female vampires and with their only cohabitant being a man imprisoned in the basement. Their lives and lifestyle are upended when a trio of campers come upon their lair and seek to uncover their dark secrets, a decision that has sexual and blood-curdling consequences.

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Paul “Wrecking” Crewe was a revered football superstar back in his day, but that time has since faded. But when a messy drunk driving incident lands him in jail, Paul finds he was specifically requested by Warden Hazen (James Cromwell), a duplicitous prison official well aware of Paul’s athletic skills. Paul has been assigned the task of assembling a team of convicts, to square off in a big football game against the sadistic guards. With the help of fellow convict Caretaker, and an old legend named Nate Scarborough to coach, Crewe is ready for what promises to be a very interesting game. It’s only the warden and the guards who have no idea who or what they’re up against, with Paul the driving force behind the new team.

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Scrat’s nutty pursuit of the cursed acorn, which he’s been after since the dawn of time, has world-changing consequences – a continental cataclysm that triggers the greatest adventure of all for Manny, Diego and Sid. In the wake of these upheavals, Sid reunites with his cantankerous Granny, and the herd encounters a ragtag menagerie of seafaring pirates determined to stop them from returning home.

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Hanna is the famous Korean pop singer. She suffers from having extremely poor self-esteem, as she has been ignored because of her appearance. At last, she makes the decision of a lifetime to have full-body plastic surgery.

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Marc Cros, an elderly sculptor, lives with his wife Lea in the south of France, safe from the War that rages in the distance. He seems to have reached the end of his life and of his art. One day, Léa gives shelter to a beautiful young Spanish political refugee named Mercè. Marc soon understands that the girl, who agrees to pose for him, inspires him and that he has no choice but to embark on this last artistic (and sensual) adventure..

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Paul is on a business trips to Nagoya, as a computer-chip executive from New York, when he meets a beautiful and mysterious woman. Later, he finds himself in the wrong place at the wrong time, inadvertently interrupting an assassination by a feared Ninja-cult. As he is now the only man to have seen the face of the cult’s warrior-leader and lived, he soon realizes that he is facing a markedly foreshortened life-expectancy. Teaming up with a friendly samurai couple, on a two-centuries-old blood-feud with the Ninja, he struggles to survive. Finally, recuperating on an island-fortress, he learns swordsmanship, and perhaps, a little about courage, honor, love, and loyalty. The requisite final confrontation is rife with bloody swordplay and spectacular martial-arts action sequences.

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In 1990, to protect his fragile mother from a fatal shock after a long coma, a young man must keep her from learning that her beloved nation of East Germany as she knew it has disappeared.

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The Holy Land, 1099AD. The end of the first Crusade. When the conflict began, Christian knight Sir Gregory lead over a hundred men, but now less than ten remain. They include his squire Paul, a friar named George, and the arrogant Sir Robert. George and Sir Gregory discover a holy relic – a fragment of the True Cross and embark on a journey to Rome, to present the relic to the Pope. En route the ship they charter runs aground, their crew dead. Continuing their journey overland, the knights come across three Turkish warriors and two pilgrims (a woman named Rebecca and an unnamed man) being attacked by bandits.

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Finally, MGM has given Sergio Leone’s Western epic the special edition it deserves. The print is restored and as clear as I’ve ever seen it, the sound is now an astonishing 5.1 Surround (listen to the glass falling off Tuco after he springs through the window in the opening sequence!) PLUS nineteen minutes of footage from the Italian original have been restored.

By far the most ambitious, unflinchingly graphic and stylistically influential western ever mounted, The Good, the Bad and the Ugly is an engrossing actioner shot through with a volatile mix of myth and realism. Clint Eastwood returns as the “Man With No Name,” this time teaming with two gunslingers (Eli Wallach and Lee Van Cleef) to pursue a cache of $200,000and letting no one, not even warring factions in a civil war, stand in their way. From sun-drenched panoramas to bold,hard close-ups, exceptional camera work captures the beauty and cruelty of the barren landscape andthe hardened characters who stride unwaveringly through it. Forging a vibrant and yet detached style of action that had not been seen before, and has never been matched since, The Good, the Bad and the Ugly shatters the western mold in true Clint Eastwood style.

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