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Wayne can’t help himself from righting the world’s wrongs. Now, against all odds, he and his one-of-a-kind girlfriend Del are on a road trip from Brockton, Mass to Ocala, Florida to reclaim what’s rightfully his: a majestic old car that was stolen from his sick father. With trouble behind them and danger ahead, Wayne and Del are bound to find themselves with their backs against the wall. But that’s okay. They’ve been there before.

Set in 1973 on an uninhabited island off the Cornish coast, a wildlife volunteer’s daily observations of a rare flower turn into a metaphysical journey that forces her as well as the viewer to question what is real and what is nightmare.

Can Dethklok choose between their egos and the greater good of the world to embark on a gauntlet of dangers that will try their very souls and finally write the song that will be their salvation?

Closer to Antarctica than to Buenos Aires, the port town of Ushuaia, Argentina is home to a national park as well as a museum that is housed in the world’s southernmost prison. Ushuaia’s radial panopticon operated as an experimental hybrid penal colony and penitentiary from 1902 to 1947, designed to revolutionize modern prisons globally. A Carceral Ecology offers the first comprehensive study of this notorious prison and its afterlife, documenting how the Patagonian frontier and timber economy became central to ideas about labor, rehabilitation, and resource management. Mining the records of penologists, naturalists, and inmates, Ryan C. Edwards shows how discipline was tied to forest management, but also how inmates gained situated geographical knowledge and reframed debates on the regeneration of the land and the self. Bringing a new imperative to global prison studies, Edwards asks us to rethink the role of the environment in carceral practices as well as the impact of incarceration on the natural world.