
A CIA officer finds himself the target of a rendition operation after being scapegoated for the death of an interrogation subject.

A CIA officer finds himself the target of a rendition operation after being scapegoated for the death of an interrogation subject.

ollowing in the long tradition of National Lampoon, this ballsy comedy takes aim at “sword and sandal” movies of every era, with s special nod of the feathered helmet to historical epics such as 300, Gladiator, Troy, and Braveheart. When the sexually ambiguous Trojan Prince Orlando tries to win his father’s approval by bringing the luscious Ellen of Greece back home to Troy, the jilted King Erotic threatens revenge. Now General Awesomest Maximus must put aside his slacker ways and face off against Erotic’s million-man Greek army with only 300 Trojans. Or was that 301?

As William, a lumbering man in his 50s, and Brooklyn, a six-year-old child, try to outrun an unseen evil, Brooklyn decides to tell William four moralistic but deeply horrific stories to distract herself from the impending danger. The first story deals with a greedy real estate agent, David, who burns down an apartment to drive its last remaining tenants, The Bradford Family, out of their home. The second story concerns some frat boys who throw a white supremacist party, and the American Terrorist, Psycho Johnny, who puts a violent end to the party. The third story revolves around a struggling singer, Chela, and her rich employer, Miss Marie Bastille, who Chela wants to kill and use her money to further her career. The fourth story is about a petty thief who ends up killing one of his victims and becomes cursed in the aftermath of his sin.

Horror is back in the hood! The sequel to the ground-breaking original film Tales From the Hood reunites Executive Producer Spike Lee (Honorary Academy Award® winner) and Writers/Directors/Producers Rusty Cundieff and Darin Scott for an all-new gripping, horrifying and oftentimes devilishly comical anthology. Keith David stars as a contemporary Mr. Simms to tell bloodcurdling stories about lust, greed, pride and politics through tales with demonic dolls, possessed psychics, vengeful vixens and historical ghosts. Mr. Simms’s haunting stories will make you laugh…while you scream.

Four short, moralistic horror vignettes (a la EC Comics) that deal with mostly black characters. The framing story introduces three youths out to pick up a drug shipment at a funeral parlor from the strange director, Mr. Simms. As the three punks wind their way through the parlor, Mr. Simms tells them the last stories of some of his more interesting clients.

Monique ventures out of quarantine to visit an old friend who’s plagued by nightmares. She finds herself drawn into a hellish dreamscape where she must face her greatest fears – or risk never having existed at all.

In the Oklahoma territory at the turn of the twentieth century, two young cowboys vie with a violent ranch hand and a traveling peddler for the hearts of the women they love.

In upstate New York in the 1850s, Abigail begins a new year on the rural farm where she lives with her husband Dyer. As Abigail considers the year to come through her journal entries, we experience the marked contrast between her deliberate, stoic manner and her unraveling complex emotions. Spring arrives and Abigail meets Tallie, an emotionally frank and arrestingly beautiful newcomer renting a neighboring farm with her husband, Finney. The two strike up a tentative relationship, filling a void in their lives which neither knew existed.

An assassin on a final assignment in Fuerteventura, to kill a man he has never met. When his target is delayed, he finds himself drawn to the island, people and a ghostly shipwreck.

Story kicks off with the mysterious murder of a senator bearing the marks of a Soviet assassin, who was long thought to be dead. To hunt down the killer, a retired CIA operative, who spent his career going toe-to-toe with his Soviet nemesis, is teamed with a young FBI agent

What is Willow supposed to do with a forest? She inherited it from her great-aunt Alwina. And not only that – Alwina also left Willow a little crooked house and, above all, her witchcraft. But does Willow really want to accept this inheritance and everything that goes with it?

A man returns to the idyllic beach of his childhood to surf with his son. When he is humiliated by a group of locals, the man is drawn into a conflict that keeps rising and pushes him to his breaking point.