
An American actor in Tokyo struggling to find purpose lands an unusual gig: working for a Japanese “rental family” agency, playing stand-in roles for strangers. He rediscovers purpose, belonging, and the beauty of human connection.

An American actor in Tokyo struggling to find purpose lands an unusual gig: working for a Japanese “rental family” agency, playing stand-in roles for strangers. He rediscovers purpose, belonging, and the beauty of human connection.

Lightning and Thunder, a Milwaukee husband and wife Neil Diamond tribute act, experience soaring success and devastating heartbreak in their musical journey together.

One year after the supernatural nightmare at Freddy Fazbear’s Pizza, Abby runs away to reconnect with her animatronic friends, uncovering dark secrets about the true origins of Freddy’s and unleashing a horror hidden for decades.

When an Iraq War veteran receives a calling from a higher power, he embarks on a mission to stop a fallen angel from raising an army of the dead to take over the world.

Rome, 1973. Masked men kidnap a teenage boy named John Paul Getty III (Charlie Plummer). His grandfather, Jean Paul Getty (Christopher Plummer), is the richest man in the world, a billionaire oil magnate, but he’s notoriously miserly. His favorite grandson’s abduction is not reason enough for him to part with any of his fortune. All the Money in the World (2017) follows Gail, (Michelle Williams), Paul’s devoted, strong-willed mother, who unlike Getty, has consistently chosen her children over his fortune. Her son’s life in the balance with time running out, she attempts to sway Getty even as her son’s mob captors become increasingly more determined, volatile and brutal. When Getty sends his enigmatic security man Fletcher Chace (Mark Wahlberg) to look after his interests, he and Gail become unlikely allies in this race against time that ultimately reveals the true and

American expatriate John Robie living in high style on the Riviera is a retired cat burglar. He must find out who a copy cat is to keep a new wave of jewel thefts from being pinned on him. High on the list of prime victims is Jessie Stevens, in Europe to help daughter Frances find a suitable husband. The Lloyds of London insurance agent is using a thief to catch a thief. Take an especially close look at scene where Robie gets Jessie’s attention, dropping an expensive casino chip down the décolletage of a French roulette player.

Director-star George Clooney’s The Ides of March is the perfect film to mirror our time, when the approval rating of the United States Congress is at an all-time low and the divisions between the two major parties and their constituents are wider than ever. An idealistic staffer for a newbie presidential candidate gets a crash course on dirty politics during his stint on the campaign trail.

Follows Ember and Wade, in a city where fire-, water-, earth- and air-residents live together.

The adventures of 3 young astronomers and their fight to survive a deadly Martian Invasion.
I enjoyed this movie as it had more than it’s share of twists & turns. The action is great, this is definitely a good movie. The twist in the movie was quite a surprise. Jason Statham plays an excellent roll and Ryan Phillipe did a great job with his performance. A brisk paced and entertaining action thriller that will entertain from beginning to end.

After a deadly bank heist, detectives Quentin Conners (Jason Statham) and Shane Dekker (Ryan Phillippe) are drawn into a mysterious case where nothing is what it seems. Pulling the strings is a criminal mastermind (Wesley Snipes) who seems to kill without warning or reason. Amid random acts of violence and deception, the only hope for survival is finding an order to the chaos.

Career con artist Roy Courtnay (Sir Ian McKellen) can hardly believe his luck when he meets well-to-do widow Betty McLeish (Dame Helen Mirren) on-line. As Betty opens her home and life to him, Roy is surprised to find himself caring about her, turning what should be a cut-and-dry swindle into the most treacherous tightrope walk of his life.

There are no taboos in the grotesque underground realm of Pfaffenbichler’s 2551 movies, which cross all borders, especially those of good taste. Reviving the original punk spirit of true independent filmmaking, Pfaffenbichler and his ingenious collaborators have concocted another marvel of no-budget ingenuity.