In this 19th century, supernatural winter epic, a drunken applejack salesman must go from zero to hero and become North America’s greatest fur trapper by defeating hundreds of beavers.

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A mother bird tries to teach her little one how to find food by herself. In the process, she encounters a traumatic experience that she must overcome in order to survive.

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As a group of friends discover plans for a time machine, they build it and use it to fix their problems and personal gain. But as the future falls apart with disasters, and each of them disappear little by little, they must travel back to the past to make sure they never invent the machine or face the destruction of humanity.

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Taking place on the alternate Earth, Earth-X, a world where the Nazis won World War II, Ray and his friends Black Condor, Red Tornado, and a handful of others fight against Nazi-aligned versions of popular Arrowverse Heroes including Green Arrow, Flash, and Supergirl, for the freedom of the world.

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An unrelenting shark turns a couple’s dream vacation into a nightmare when they are stranded at sea and forced to fight for their lives.

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The story of Amy Winehouse in her own words, featuring unseen archival footage and unheard tracks.

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A struggling social media influencer discovers the house he shares is haunted. The ghost brings him and his friends fame and fortune, but with deadly consequences.

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In a not so distant future, where overpopulation and famine have forced governments to undertake a drastic One-Child Policy, seven identical sisters (all of them portrayed by Noomi Rapace) live a hide-and-seek existence pursued by the Child Allocation Bureau. The Bureau, directed by the fierce Nicolette Cayman (Glenn Close), enforces a strict family-planning agenda that the sisters outwit by taking turns assuming the identity of one person: Karen Settman. Taught by their grandfather (Willem Dafoe) who raised and named them – Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and Sunday – each can go outside once a week as their common identity, but are only free to be themselves in the prison of their own apartment. That is until, one day, Monday does not come home.

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A tale of love and violence when a man on his emotional last legs finds a savior seductively dancing in a run-down strip club. And a life most certainly headed off a cliff suddenly becomes redirected – as EVERYTHING is now worth dying for.

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Once upon a time, in a far, faraway place, there were two lands. The world was divided into an inner land and an outer land. People feared the outer land. Inhabited by eerie beings, the carriers of curse. One day on the border to the inner land inhabited by humans, one such being find a girl on heaps of abandoned dead bodies. The girl says her name is Shiva and shows affection to the “being” who found her, calling him “Teacher”. This is a story of two people; one human, one inhuman, who linger in the hazy twilight that separates night from day.

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Get The Gringo (How I Spent My Summer Vacation) directed by Adrian Grunberg is one of the finest movies to come out in the mid-2012 and one of the best Mel Gibson movies. A career criminal (Mel Gibson) nabbed by Mexican authorities is placed in a tough prison where he learns to survive with the help of a 9-year-old boy (Kevin Hernandez).

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There is only one word that comes close to accurately describing the enchanting Mary Poppins, and that term was coined by the movie itself: supercalifragilisticexpialidocious! Even at 2 hours and 20 minutes, Disney’s pioneering mixture of live action and animation still holds kids spellbound.

Julie Andrews won an Oscar as the world’s most magically idealized nanny (“practically perfect in every way,” and complete with lighter-than-air umbrella), and Dick Van Dyke is her clownishly charming beau, Bert the chimney sweep. The songs are also terrific, ranging from bright and cheery (“A Spoonful of Sugar”) to dark and cheery (the Oscar-winning “Chim-Chim Cheree”) to touchingly melancholy (“Feed the Birds”). Many consider Mary Poppins to be the crowning achievement of Walt Disney’s career–and it was the only one of his features to be nominated for a best picture Academy Award until Beauty and the Beast in 1991.

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